Public Events

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. The body was a hugely popular subject of representation in ancient Egypt. But this talk will look at the bodies in Egyptian art that we now don’t see–those of the ancient Egyptian audience.

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. This talk will explore how and why that was so, offering several hypotheses for why Egyptian figural art became central to the imagining of this complex psychological concept. The talk––paying special attention to Rodin’s self-described “Egyptian colossus,” his 1898 monument to Honoré de Balzac––will also probe Rodin’s highly distinctive approach to this widespread association between Egyptian art and the formal expression of the human potential for unconscious thought.

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. This lecture explores how Rodin created the same tactile, intimate viewing experience with his sculptures of dancers, including his Nijinsky (1912). Designed to be held in the hand rather than fixed on a base, this sculpture instantiates an encounter with the viewer’s body that is both mobile and sexualized, in deliberate homage to Vaslav Nijinsky’s scandalous 1912 ballet Afternoon of a Faun.

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. This lecture examines the origins and development of this technique, as well as how Rodin’s process of combining disparate parts opened onto a genre of remarkable assemblage sculptures that incorporate ancient vessels and other found elements.

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. Ancient Egyptian images of the body are at the same time both highly recognizable and foreign to the modern viewer. From impossible composite figures of human-animal hybrids to seemingly stiff and block-like human forms in sculpture, Egyptian depictions were meant not simply to capture a likeness, but to manifest powers in order to establish the presence of, and relations between, depicted entities.

This event will take place in person. Registration is required; click through for the registration link. Please join us as Carl Walsh, ISAW Assistant Curator, hosts a conversation with Bénédicte Garnier, Musée Rodin, in the gallery for a behind the scenes look at Rodin’s Egypt. Benedicte and Carl will address the themes of the exhibition, discuss Rodin’s sculpture and his Egyptian antiquities on display, and explore comparative perspectives on the representation of the human.