Event Home

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. Ancient Egyptian images of the body are at the same time both highly recognizable and foreign to the modern viewer. From impossible composite figures of human-animal hybrids to seemingly stiff and block-like human forms in sculpture, Egyptian depictions were meant not simply to capture a likeness, but to manifest powers in order to establish the presence of, and relations between, depicted entities.

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. This lecture explores how Rodin created the same tactile, intimate viewing experience with his sculptures of dancers, including his Nijinsky (1912). Designed to be held in the hand rather than fixed on a base, this sculpture instantiates an encounter with the viewer’s body that is both mobile and sexualized, in deliberate homage to Vaslav Nijinsky’s scandalous 1912 ballet Afternoon of a Faun.