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01/12/2026 05:30 PM Online
Photo of ancient Egyptian block statue next to a Rodin sculpture with a similar shape in the ISAW galleries

Expanding the Ancient World Workshop:

Rodin's Egypt: A Conversation on Sculpting the Human Body

Carl Walsh

This workshop will take place online. Registration is required; click through for the registration link. Zoom information will be provided via confirmation email to registered participants. Expanding the Ancient World is a series of professional development workshops and online resources for teachers. This online workshop invites teachers to discover the profound impact of ancient Egyptian art on the French master sculptor Auguste Rodin (1840–1917), through both the sculptors works and through the Egyptian antiquities he collected. Throughout the workshop you will take part in a series of object-based learning activities that explore how Rodin studied ancient Egyptian statuary and reliefs, which subsequently fed into his own practice and revolutionary approach to the human form.
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01/20/2026 05:30 PM ISAW Gallery
Photo of ancient Egyptian block statue next to a Rodin sculpture with a similar shape in the ISAW galleries

Expanding the Ancient World Workshop:

Rodin's Egypt: A Conversation on Sculpting the Human Body

Carl Walsh

This workshop will take place in person at ISAW. Registration is required; click through for the registration link. Zoom information will be provided via confirmation email to registered participants. Expanding the Ancient World is a series of professional development workshops and online resources for teachers. This in-person workshop invites teachers to discover the profound impact of ancient Egyptian art on the French master sculptor Auguste Rodin (1840–1917), through both the sculptors works and through the Egyptian antiquities he collected. Throughout the workshop you will take part in a series of object-based learning activities that explore how Rodin studied ancient Egyptian statuary and reliefs, which subsequently fed into his own practice and revolutionary approach to the human form.
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01/29/2026 05:30 PM ISAW Lecture Hall
Plaster sculpture of a dynamic, muscular figure in a twisting pose on a metal base, against a plain gray background.

Exhibition Lecture

The Caress of Rodin’s fingers’: Dance and Embodied Viewing in Auguste Rodin’s Sculpture

Juliet Bellow

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. This lecture explores how Rodin created the same tactile, intimate viewing experience with his sculptures of dancers, including his Nijinsky (1912). Designed to be held in the hand rather than fixed on a base, this sculpture instantiates an encounter with the viewer’s body that is both mobile and sexualized, in deliberate homage to Vaslav Nijinsky’s scandalous 1912 ballet Afternoon of a Faun.
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02/03/2026 05:30 PM ISAW Lecture Hall
Painted 5th–6th century CE ceramic vase from Merv, showing two seated figures sharing food and drink, decorated with heart-shaped motifs and wave patterns

From Merv to Dehistan: Exploring the Sasanian Frontier Zone

Aydogdy Kurbanov

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. In this lecture, Aydogdy will present an overview of the Sasanian-period sites extending from Merv to Dehistan and argue that southern Turkmenistan was not a peripheral zone but rather an active frontier where imperial, regional, and local dynamics intersected.
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02/23/2026 05:30 PM ISAW Lecture Hall

Exhibition Lecture

The Egyptian Body and the Idea of the Unconscious at the End of the Nineteenth Century

Emmelyn Butterfield-Rosen

This lecture will take place in person at ISAW. Registration is required; click through for the registration link. This talk will explore how and why that was so, offering several hypotheses for why Egyptian figural art became central to the imagining of this complex psychological concept. The talk––paying special attention to Rodin’s self-described “Egyptian colossus,” his 1898 monument to Honoré de Balzac––will also probe Rodin’s highly distinctive approach to this widespread association between Egyptian art and the formal expression of the human potential for unconscious thought.
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