Press

Press information for Hymn to Apollo: The Ancient World and the Ballets Russes

For press inquiries, please contact:

Lucy O'Brien
646-590-9267

How Ancient Greek Art Inspired the Ballets Russes
          May 29, 2019
          Hyperallergic

The Politics of Dancing
          May 27, 2019
          Bomb Magazine

New York Art Galleries: What to See Right Now
          May 24, 2019
          The New York Times

Terpsichorean Themes at the ISAW
          May 20, 2019
          The Magazine Antiques

Video: NYC-ARTS (segment beginning at time 22:10)
          May 16, 2019
          PBS NYC-ARTS; Season 2019, 443

HYMN TO APOLLO: THE ANCIENT WORLD AND THE BALLETS RUSSES
          May 15, 2019
          Fashion Institute of Technology: Fashion History Timeline

Art: A Thread of Undying Inspiration
          May 12, 2019
          The New York Times

La danza dell'età classica nell'eco dei Ballets Russes
          May 9, 2019
          Dance News

Video: Reid Bartelme and Harriet Jung Design Dialogues with ISAW's The Ancient World and the Ballets Russes
          May 7, 2019
          Works & Process at the Guggenheim, via Youtube

Hymn To Apollo: An Exhibition
          May 3, 2019
          The Gay & Lesbian Review

Hymn To Apollo: The Ancient World and the Ballets Russes
          May 3, 2019
          The New York Public Library

How Design Duo Harriet Jung and Reid Bartelme are Bringing Back the Spirit of the Ballets Russes
          April 27, 2019
          Dance Magazine

Goings On About Town: "Works & Process"
          April 24, 2019
          The New Yorker

Works & Process at the Guggenheim Presents a Dance Concert
          April 10, 2019
          In New York Blog
          Update: Video available on YouTube

When Ancient Was Avant-Garde
          April 5, 2019
          Dance Magazine

Hymn to Apollo: The Ancient World and the Ballets Russes at the Institute for the Study of the Ancient World 
          March 30, 2019
          Art Eyewitness Blog

Goings On About Town: "Hymn To Apollo"
          March 29, 2019
          The New Yorker